Casting Call with Tess Hammock Dec. 3: Salsa dancers, Tulsa King, commercials

Loading Video…

This browser does not support the Video element.

Casting Call Dec. 3: Salsa dancers, Tulsa King extras, and new commercials

It’s time to dance, network, and get your face on screen! This week’s "Casting Call with Tess Hammock" features casting notices for dancers, clubgoers, and commercial talent — plus a production job opening and year-end industry event for creatives in metro Atlanta.

It’s time to dance, network, and get your face on screen! This week’s "Casting Call with Tess Hammock" features casting notices for dancers, clubgoers, and commercial talent — plus a production job opening and year-end industry event for creatives in metro Atlanta.

🎬 BACKGROUND / EXTRAS

  • Indie Film for Streaming ServiceCasting:Salsa Dancers: Ages 18+, must be able to salsa dance!Club Goers: Ages 21+, fun and vibrant faces to play hot Atlanta clubgoersBreakdancers: Ages 21+, male or female, must be able to freestyle breakdanceFilming: Dec. 4–12PaidTo submit:Email DestinationCastingSubmissions@gmail.comSubject:"Salsa" for Salsa Dancers"Club" for Club Goers"Breakdancer" for BreakdancersInclude phone number and 2 clear current photos
  • Casting:Salsa Dancers: Ages 18+, must be able to salsa dance!Club Goers: Ages 21+, fun and vibrant faces to play hot Atlanta clubgoersBreakdancers: Ages 21+, male or female, must be able to freestyle breakdance
  • Salsa Dancers: Ages 18+, must be able to salsa dance!
  • Club Goers: Ages 21+, fun and vibrant faces to play hot Atlanta clubgoers
  • Breakdancers: Ages 21+, male or female, must be able to freestyle breakdance
  • Filming: Dec. 4–12
  • Paid
  • To submit:Email DestinationCastingSubmissions@gmail.comSubject:"Salsa" for Salsa Dancers"Club" for Club Goers"Breakdancer" for BreakdancersInclude phone number and 2 clear current photos
  • Email DestinationCastingSubmissions@gmail.com
  • Subject:"Salsa" for Salsa Dancers
  • "Salsa" for Salsa Dancers
  • "Club" for Club Goers
  • "Breakdancer" for BreakdancersInclude phone number and 2 clear current photos
  • Include phone number and 2 clear current photos
  • Untitled Food Product CommercialCasting:Mom – Female, 40s–50s, any ethnicityGrandmother – Female, 60s–70s, any ethnicityFamily Members – Male or female, ages 8–55, any ethnicityCollege Kids – Male or female, ages 18–24, any ethnicityGrillmaster – Male, mid-30s to mid-60s, any ethnicityTailgaters – Male or female, 18+, any ethnicityFilming: Dec. 16 in Mobile, ALPaidTo submit:Email golemancastingsubmit@yahoo.com with subject UFPCInclude name, parent contact (if under 18), contact info, recent photos, date availability, tattoos and location, and role submitting for
  • Casting:Mom – Female, 40s–50s, any ethnicityGrandmother – Female, 60s–70s, any ethnicityFamily Members – Male or female, ages 8–55, any ethnicityCollege Kids – Male or female, ages 18–24, any ethnicityGrillmaster – Male, mid-30s to mid-60s, any ethnicityTailgaters – Male or female, 18+, any ethnicity
  • Mom – Female, 40s–50s, any ethnicity
  • Grandmother – Female, 60s–70s, any ethnicity
  • Family Members – Male or female, ages 8–55, any ethnicity
  • College Kids – Male or female, ages 18–24, any ethnicity
  • Grillmaster – Male, mid-30s to mid-60s, any ethnicity
  • Tailgaters – Male or female, 18+, any ethnicity
  • Filming: Dec. 16 in Mobile, AL
  • Paid
  • To submit:Email golemancastingsubmit@yahoo.com with subject UFPCInclude name, parent contact (if under 18), contact info, recent photos, date availability, tattoos and location, and role submitting for
  • Email golemancastingsubmit@yahoo.com with subject UFPC
  • Include name, parent contact (if under 18), contact info, recent photos, date availability, tattoos and location, and role submitting for
  • Tulsa KingCasting: Car Salesperson with Car — Male or female, all ethnicities, ages 25–60Requirements: Car cannot be red, white, or black; no visible tattoosFilming: Dec. 5 in AtlantaPaidTo submit:Email onlocationcasting1@gmail.com with subject CAR SALESPERSON with CARInclude:Name, contact, emailHeight, weightAny visible tattoos?Location (city/state)Confirm availability for Dec. 5 in AtlantaYear, make, and model of carRecent photos of you and your car
  • Casting: Car Salesperson with Car — Male or female, all ethnicities, ages 25–60
  • Requirements: Car cannot be red, white, or black; no visible tattoos
  • Filming: Dec. 5 in Atlanta
  • Paid
  • To submit:Email onlocationcasting1@gmail.com with subject CAR SALESPERSON with CAR
  • Email onlocationcasting1@gmail.com with subject CAR SALESPERSON with CAR
  • Include:Name, contact, emailHeight, weightAny visible tattoos?Location (city/state)Confirm availability for Dec. 5 in AtlantaYear, make, and model of carRecent photos of you and your car
  • Name, contact, email
  • Height, weight
  • Any visible tattoos?
  • Location (city/state)
  • Confirm availability for Dec. 5 in Atlanta
  • Year, make, and model of car
  • Recent photos of you and your car

💼 JOBS

  • Production Support Specialist — AkkodisCompany: AkkodisDuties:Managing, ingesting, routing, editing, and monitoring sports and entertainment media content.Supporting live productions, video ingest, media asset management (MAM), and post-production workflows.Coordinating between production, engineering, and master control teams.Maintaining asset retention policies and operating in a 24/7 environment with rotating shiftsQualifications:Bachelor’s degreeBackground in post-production editing, non-linear editing, broadcast media production, distribution, and digital mediaPrior non-linear edit experience (sports preferred)1–2+ years of experience in editing or production supportFamiliarity with media file re-wrap and transcodingExperience with Adobe, Final Cut Pro, Avid, Quantel, etc.To apply: Send resume to shweta.ojha@akkodisgroup.com
  • Company: Akkodis
  • Duties:Managing, ingesting, routing, editing, and monitoring sports and entertainment media content.Supporting live productions, video ingest, media asset management (MAM), and post-production workflows.Coordinating between production, engineering, and master control teams.Maintaining asset retention policies and operating in a 24/7 environment with rotating shifts
  • Managing, ingesting, routing, editing, and monitoring sports and entertainment media content.
  • Supporting live productions, video ingest, media asset management (MAM), and post-production workflows.
  • Coordinating between production, engineering, and master control teams.
  • Maintaining asset retention policies and operating in a 24/7 environment with rotating shifts
  • Qualifications:Bachelor’s degreeBackground in post-production editing, non-linear editing, broadcast media production, distribution, and digital mediaPrior non-linear edit experience (sports preferred)1–2+ years of experience in editing or production supportFamiliarity with media file re-wrap and transcodingExperience with Adobe, Final Cut Pro, Avid, Quantel, etc.
  • Bachelor’s degree
  • Background in post-production editing, non-linear editing, broadcast media production, distribution, and digital mediaPrior non-linear edit experience (sports preferred)1–2+ years of experience in editing or production supportFamiliarity with media file re-wrap and transcodingExperience with Adobe, Final Cut Pro, Avid, Quantel, etc.
  • Prior non-linear edit experience (sports preferred)
  • 1–2+ years of experience in editing or production support
  • Familiarity with media file re-wrap and transcoding
  • Experience with Adobe, Final Cut Pro, Avid, Quantel, etc.
  • To apply: Send resume to shweta.ojha@akkodisgroup.com

☕ EXTRAS / EVENTS / NETWORKING

  • Eat, Drink, and Be IndieWhen: Tuesday, Dec. 16Where: Manuel’s TavernTime: 7:30 p.m. – 9:30 p.m.What: Learn about essential tools and resources for 2026, including:Local grants and funding optionsNetworking opportunitiesEducational programs and industry connections
  • When: Tuesday, Dec. 16
  • Where: Manuel’s Tavern
  • Time: 7:30 p.m. – 9:30 p.m.
  • What: Learn about essential tools and resources for 2026, including:Local grants and funding optionsNetworking opportunitiesEducational programs and industry connections
  • Local grants and funding options
  • Networking opportunities
  • Educational programs and industry connections
  • How to make the most of December’s downtime:Update your casting profilesPractice cold readsBuild your 2026 Vision BoardChoose one acting skill to master in 2026Learn how to write a scriptCelebrate your 2025 wins
  • Update your casting profiles
  • Practice cold reads
  • Build your 2026 Vision Board
  • Choose one acting skill to master in 2026
  • Learn how to write a script
  • Celebrate your 2025 wins

The Source: Information in this article came from Tess Hammock. 

Casting CallNewsEntertainmentGood Day AtlantaSeen on TV